Lesson Info

Optics

Now we're going to go into the optics section and the optics section is really important. Let me, uh, go to an image that would be appropriate for it. So inside of the optic section, you have two options here inside of light room Mobile. Um, there's MAWR options inside of light from classic, uh, and in light room desktop, which is the newer version of light room that's on the desktop. But here, inside of Lighter Mobile, you have two options. One is to remove chromatic aberration, and the other is to enable lens corrections. So I'm shooting a fairly wide shot here, and if you can see that, there's a little bit of a curvature here along that window and a little bit of a curvature here. So I'm going to use the lens correction option. Turn that on just to straighten out the photograph a little bit. You can see how it bends because of the lens, so that's off. That's on at the same time as it's fixing the lens. It's also fixing the natural vignette ing that's happening, and when you get back...

into light room, classic or in light of desktop, you can actually adjust that a little bit, especially in light room classic, you have the ability to really fine tune. In fact, you can say I want it to correct the, uh, the vignette ing, but I don't want it to correct the natural Boeing of the lens or vice versa. Now the other thing that's here is the chromatic aberration, and chromatic aberration appears in very specific circumstances. So I'm gonna zoom in here so you can see Do you see that purplish thing, that line right here, that right along that black iron work there is a spill of purple light, and that purple light is from chromatic aberrations. So that is ugly in our photographs, and especially if that shows up on someone's face or shows up somewhere on their shoulder when they especially when someone's wearing like a dark suit against the light sky or a white background, you can oftentimes see that there, and basically it's extreme contrast Edges is where it shows up, and so we want to get rid of that, and I'm going to remove it with chromatic aberration. I'm just gonna turn on the chromatic aberration so you can see like right up here. Okay, We're watching for those little purple lines to disappear, so I'm gonna turn it on, and you can see how it limits them. It didn't make them completely difference. Appear because those air really bad. Was there tough ones? Um, but if I go then into light room classic or I go to light from desktop later, I can further home that and I can actually make those completely disappear. But not here, at least right now, this version of light room, uh, mobile. We're still at a point where it's just on on off switch. But the when we goto light room on our computer, we can actually further home that most time. Most of the time, this will actually take care of those issues. For instance, if I go to this photograph here, I can see that there's some chromatic aberration right along the edge of this cross. And if I turn on the chromatic aberration, it completely removes that line of of color. So in most cases, it actually works perfectly. But in this case, that's some pretty severe chromatic aberration. But we can take care of inside of our other versions of light room

Class Description

Lessons

1. Differences Between Lightroom Desktop and Lightroom Classic
2. Hard Drives
3. File Organization
4. 30,000 Foot View of Workflow
5. Importing into Lightroom
6. Building Previews
7. Collections and Publish Services
8. Keywords
9. Hardware for Lightroom
10. Searching for Images
11. Selecting Images
12. Organizing Images
13. Collecting Images for Use
14. Develop Module Overview
15. Profiles
16. Basic Adjustments
17. Basics Panel: Texture, Clarity, and Dehaze
18. Basics Panel: Saturation and Vibrance
19. Tone Curve
20. HSL
21. Split Tone
22. Lens Corrections
23. Details
24. Transform Tool
25. Effects Panel
26. Synchronizing for Faster Editing
27. Spot Tool
28. Skin Softening and Brush Work
29. Range Masking
30. Dodge and Burn
31. Working with Specific Colors
32. Edit Quickly with Gradient Filters
33. Making Presets
34. Preparing Image in Lightroom
35. Content Aware Fill
36. Skin Repair
37. Skin Smoothing
38. Expanding a Canvas
39. Liquify
40. Layers and Composite Images
41. Sharing via Web
42. Exporting Files
43. Sharing with Slideshows
44. Archiving Photos and Catalogs
45. Designing
46. Making Prints
47. Color Management and Profiles
48. Archiving Photos and Catalogs
49. Using Cloud Storage
50. Adding Images to your Portfolio
51. Collecting for Your Portfolio
52. Publishing Unique Websites Per Project
53. Sharing to Instagram
54. HDR
55. Panorama
56. HDR Panorama
57. Making Presets
58. Creating Profiles
59. Maps
60. Setup for Tethered Shooting
61. Sharing with the Client
62. Watched Folder Process
63. Second Monitor and iPad
64. Backup at the Camera
65. Gnar Box Disk Backup
66. iPhone and iPad Review
67. Importing to Lightroom on iPad
68. Cloud Backup
69. Adjust, Edit, and Organize
70. Using Lightroom Between Devices
71. Lightroom Desktop
72. Removing Images from the Cloud
73. Profiles
74. Light
75. Color
76. Effects
77. Details
78. Optics
79. Geometry
80. Crop
81. Adding and Using Presets and Profiles
82. Local Adjustments
83. Healing Tool
84. Synchronizing Edits
85. Editing in Photoshop
86. Finding Images
87. Sharing and Exporting Albums on the Web
88. Posting Images to Social Media
89. Overview of Lightroom Desktop
90. The Workflow Overview
91. Organizing Images
92. Albums and Shared Albums
93. Lightroom Desktop Workspace Overview
94. Importing and Selecting Images
95. HDR and Panoramics
96. Light
97. Profiles
98. Tone Curves
99. Color
100. Effects
101. Details
102. Optics
103. Geometry and Crop Tool
104. Sync Settings
105. Making and Adding Presets
106. Healing Brush
107. Brush Tool
108. Gradient Tool
109. Edit in Photoshop
110. Finding Images with Sensei
111. Sharing Albums on the Web
112. Print through Photoshop
113. Exporting Images to Files or Web Services
114. Connecting with Lightroom Classic and Mobile Devices
115. Archiving Images for Storage
116. Review of the Workflow