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Adobe Lightroom: The Ultimate Guide Bootcamp

Lesson 80 of 116

Crop

Jared Platt

Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

80. Crop

Lessons

Class Trailer
1 Differences Between Lightroom Desktop and Lightroom Classic 19:42 2 Hard Drives 08:06 3 File Organization 08:31 4 30,000 Foot View of Workflow 05:36 5 Importing into Lightroom 04:10 6 Building Previews 07:14 7 Collections and Publish Services 05:11 8 Keywords 06:27
9 Hardware for Lightroom 06:08 10 Searching for Images 07:51 11 Selecting Images 14:15 12 Organizing Images 04:02 13 Collecting Images for Use 14:56 14 Develop Module Overview 10:15 15 Profiles 11:34 16 Basic Adjustments 11:45 17 Basics Panel: Texture, Clarity, and Dehaze 05:31 18 Basics Panel: Saturation and Vibrance 02:40 19 Tone Curve 09:26 20 HSL 04:48 21 Split Tone 08:19 22 Lens Corrections 08:32 23 Details 09:34 24 Transform Tool 05:52 25 Effects Panel 10:00 26 Synchronizing for Faster Editing 07:40 27 Spot Tool 17:51 28 Skin Softening and Brush Work 07:00 29 Range Masking 13:28 30 Dodge and Burn 17:36 31 Working with Specific Colors 08:30 32 Edit Quickly with Gradient Filters 11:22 33 Making Presets 13:24 34 Preparing Image in Lightroom 09:51 35 Content Aware Fill 11:14 36 Skin Repair 02:44 37 Skin Smoothing 14:39 38 Expanding a Canvas 04:30 39 Liquify 10:22 40 Layers and Composite Images 12:54 41 Sharing via Web 17:52 42 Exporting Files 10:47 43 Sharing with Slideshows 08:00 44 Archiving Photos and Catalogs 19:54 45 Designing 13:35 46 Making Prints 11:27 47 Color Management and Profiles 13:00 48 Archiving Photos and Catalogs 11:31 49 Using Cloud Storage 04:09 50 Adding Images to your Portfolio 09:23 51 Collecting for Your Portfolio 18:03 52 Publishing Unique Websites Per Project 19:48 53 Sharing to Instagram 07:06 54 HDR 15:32 55 Panorama 06:41 56 HDR Panorama 09:54 57 Making Presets 15:39 58 Creating Profiles 18:09 59 Maps 07:08 60 Setup for Tethered Shooting 23:21 61 Sharing with the Client 05:42 62 Watched Folder Process 07:04 63 Second Monitor and iPad 06:09 64 Backup at the Camera 03:50 65 Gnar Box Disk Backup 06:45 66 iPhone and iPad Review 12:52 67 Importing to Lightroom on iPad 02:59 68 Cloud Backup 04:39 69 Adjust, Edit, and Organize 07:46 70 Using Lightroom Between Devices 11:27 71 Lightroom Desktop 05:27 72 Removing Images from the Cloud 10:49 73 Profiles 09:34 74 Light 04:34 75 Color 05:36 76 Effects 15:22 77 Details 08:33 78 Optics 03:49 79 Geometry 04:12 80 Crop 04:39 81 Adding and Using Presets and Profiles 13:41 82 Local Adjustments 15:40 83 Healing Tool 03:29 84 Synchronizing Edits 04:57 85 Editing in Photoshop 08:54 86 Finding Images 07:09 87 Sharing and Exporting Albums on the Web 09:18 88 Posting Images to Social Media 14:01 89 Overview of Lightroom Desktop 07:35 90 The Workflow Overview 10:08 91 Organizing Images 05:10 92 Albums and Shared Albums 18:21 93 Lightroom Desktop Workspace Overview 04:36 94 Importing and Selecting Images 09:23 95 HDR and Panoramics 22:44 96 Light 07:47 97 Profiles 07:23 98 Tone Curves 02:57 99 Color 08:35 100 Effects 17:01 101 Details 12:43 102 Optics 04:05 103 Geometry and Crop Tool 06:01 104 Sync Settings 02:40 105 Making and Adding Presets 03:48 106 Healing Brush 02:21 107 Brush Tool 03:14 108 Gradient Tool 04:16 109 Edit in Photoshop 02:53 110 Finding Images with Sensei 06:32 111 Sharing Albums on the Web 04:57 112 Print through Photoshop 02:09 113 Exporting Images to Files or Web Services 04:36 114 Connecting with Lightroom Classic and Mobile Devices 05:24 115 Archiving Images for Storage 09:55 116 Review of the Workflow 07:20

Lesson Info

Crop

the last thing that we do to a photograph, or maybe the first thing that we do to a photograph based on, uh, just kind of a global thing that we're doing two photographs is the crop itself and whether or not we do it at the beginning or whether we do it at the end, it's still a very important part of your photograph because every image has four frame edges and what you do with him is everything. And so there is a tool here that's fully committed to the crop. It's just it's not up here. It's right here. So I'm gonna click on that crop tool and inside the crop tool, you have the options for different aspect ratios. So three by two is kind of a normal sized nowadays. But if you happen to be working on a or you want a four by five, uh, style crop, you would click here, Um, which would be really appropriate for this photo because this guy is actually using an old style four by five camera. So I think I'll stick with the four by five. I think that's kind of funny, Um, but the crop means ever...

ything. And so as I'm negotiating crop Aiken Group dragged the crop around like this, I can drag the center of the crop, or I mean, the edges of the crop. If I grab a side of a crop, it starts to crop. Both sides independent are together. Um, at the same time, same thing with the bottom. Um, so I'm gonna negotiate this crop based on my edges. If I want to adjust the crop kind of angle it, then I'm going to sit outside of this and I don't have to grab onto this control I can grab over here anywhere outside the crop allows me to angle it. And it also has these guidelines. As soon as I click on it to to move, it has guidelines that help me kind of negotiate so that I get this edge right here of this building. I'm lining it up with those grid lines inside of the crop tool. Um and then I also have the ability to flip the crop. I have the ability to flip the actual image itself, which would be a bad idea, because there's actual text information in there. But if you didn't have texting information in there. It's certainly capable of flipping your image either way. Um, and then there's the straighten option. And so in this case, I'm just gonna kind of crop to here and hit done, And then I'm gonna go out and I'm gonna find another image. So we're just gonna go looking for an image here that's of a landscape so any landscape will do. But I want one that has a specific or there we go. Now let's actually let's look at this all my horizons. Air two straight. I'll bet you they're not actually straight. They just already been cropped. Um, let's see if this one's already been cropped. Nope, it hasn't. But if I want to make sure that I have a perfectly straight horizon, I can use this straightened tool. Simply click on that straightened tool and it straightens it, and it didn't have to do much, but it just automatically looks for her. Rise in line so you can do that again. You can. You can follow it like this, But if you're here and you want to straighten it, just click. Straighten and boom. It finds the horizon line, and it allows you to quickly straighten your image. And then from there on out, if you just grab the edges, you can re negotiate the crop. But again, everything hinges around the crop. The crop is so important, so I'm always looking to see what am I creating in a photograph based on. See how this window down here is is playing with the edge of the crop, So I'm really looking to give myself ah, shapes over in the left hand bottom corner. There's a nice little triangle, so the crop does all of that, and it's really important to pay attention to your crops. So don't forget the crop tool click done, and now you're images cropped and ready to be adjusted further inside of your, um, local adjustment tools.

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Reviews

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).