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Adobe Lightroom: The Ultimate Guide Bootcamp

Lesson 18 of 116

Basics Panel: Saturation and Vibrance

Jared Platt

Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

18. Basics Panel: Saturation and Vibrance

Lessons

Class Trailer
1 Differences Between Lightroom Desktop and Lightroom Classic 19:42 2 Hard Drives 08:06 3 File Organization 08:31 4 30,000 Foot View of Workflow 05:36 5 Importing into Lightroom 04:10 6 Building Previews 07:14 7 Collections and Publish Services 05:11 8 Keywords 06:27
9 Hardware for Lightroom 06:08 10 Searching for Images 07:51 11 Selecting Images 14:15 12 Organizing Images 04:02 13 Collecting Images for Use 14:56 14 Develop Module Overview 10:15 15 Profiles 11:34 16 Basic Adjustments 11:45 17 Basics Panel: Texture, Clarity, and Dehaze 05:31 18 Basics Panel: Saturation and Vibrance 02:40 19 Tone Curve 09:26 20 HSL 04:48 21 Split Tone 08:19 22 Lens Corrections 08:32 23 Details 09:34 24 Transform Tool 05:52 25 Effects Panel 10:00 26 Synchronizing for Faster Editing 07:40 27 Spot Tool 17:51 28 Skin Softening and Brush Work 07:00 29 Range Masking 13:28 30 Dodge and Burn 17:36 31 Working with Specific Colors 08:30 32 Edit Quickly with Gradient Filters 11:22 33 Making Presets 13:24 34 Preparing Image in Lightroom 09:51 35 Content Aware Fill 11:14 36 Skin Repair 02:44 37 Skin Smoothing 14:39 38 Expanding a Canvas 04:30 39 Liquify 10:22 40 Layers and Composite Images 12:54 41 Sharing via Web 17:52 42 Exporting Files 10:47 43 Sharing with Slideshows 08:00 44 Archiving Photos and Catalogs 19:54 45 Designing 13:35 46 Making Prints 11:27 47 Color Management and Profiles 13:00 48 Archiving Photos and Catalogs 11:31 49 Using Cloud Storage 04:09 50 Adding Images to your Portfolio 09:23 51 Collecting for Your Portfolio 18:03 52 Publishing Unique Websites Per Project 19:48 53 Sharing to Instagram 07:06 54 HDR 15:32 55 Panorama 06:41 56 HDR Panorama 09:54 57 Making Presets 15:39 58 Creating Profiles 18:09 59 Maps 07:08 60 Setup for Tethered Shooting 23:21 61 Sharing with the Client 05:42 62 Watched Folder Process 07:04 63 Second Monitor and iPad 06:09 64 Backup at the Camera 03:50 65 Gnar Box Disk Backup 06:45 66 iPhone and iPad Review 12:52 67 Importing to Lightroom on iPad 02:59 68 Cloud Backup 04:39 69 Adjust, Edit, and Organize 07:46 70 Using Lightroom Between Devices 11:27 71 Lightroom Desktop 05:27 72 Removing Images from the Cloud 10:49 73 Profiles 09:34 74 Light 04:34 75 Color 05:36 76 Effects 15:22 77 Details 08:33 78 Optics 03:49 79 Geometry 04:12 80 Crop 04:39 81 Adding and Using Presets and Profiles 13:41 82 Local Adjustments 15:40 83 Healing Tool 03:29 84 Synchronizing Edits 04:57 85 Editing in Photoshop 08:54 86 Finding Images 07:09 87 Sharing and Exporting Albums on the Web 09:18 88 Posting Images to Social Media 14:01 89 Overview of Lightroom Desktop 07:35 90 The Workflow Overview 10:08 91 Organizing Images 05:10 92 Albums and Shared Albums 18:21 93 Lightroom Desktop Workspace Overview 04:36 94 Importing and Selecting Images 09:23 95 HDR and Panoramics 22:44 96 Light 07:47 97 Profiles 07:23 98 Tone Curves 02:57 99 Color 08:35 100 Effects 17:01 101 Details 12:43 102 Optics 04:05 103 Geometry and Crop Tool 06:01 104 Sync Settings 02:40 105 Making and Adding Presets 03:48 106 Healing Brush 02:21 107 Brush Tool 03:14 108 Gradient Tool 04:16 109 Edit in Photoshop 02:53 110 Finding Images with Sensei 06:32 111 Sharing Albums on the Web 04:57 112 Print through Photoshop 02:09 113 Exporting Images to Files or Web Services 04:36 114 Connecting with Lightroom Classic and Mobile Devices 05:24 115 Archiving Images for Storage 09:55 116 Review of the Workflow 07:20

Lesson Info

Basics Panel: Saturation and Vibrance

Now that we're back in here, we're gonna work on our vibrance and saturation and let me explain the difference. So saturation is just all colors, getting more saturated in all colors, getting less saturated. So if I were to take saturation all the way down to zero, there would still there would be No, there's no actual color now in the image, so I've essentially turned it to black and white. But I've kept the color information. Um, if I increase the saturation, see what happens to her face. So it looks like she's been in like, a fake tanning booth, so we don't want to be there. And we don't want so saturation, usually for me on a portrait, especially on a landscape, you can go both ways a little bit, but on saturation, usually I don't go positive that all. I usually take it negative because it softens things up and it makes it a nicer skin tone. Whereas vibrance is different, Vibrance protects the skin tones, so watch if I take the vibrance all the way up. So I took the vibrance all th...

e way up, and it did weird things to the sky because it was trying to add blue and pink and green and stuff. But look for skin actually looks all right. It's It's still way too much, but it doesn't look as bad. It looks like she went to a good tanning booth and their spray tanning booth instead of a really bad one. So, um, if I use vie if I need something to B'more colorful and more vibrant, I'm going to use the vibrance to do it, because it's protecting the skin tones where a saturation is not protecting them. And consequently, if I take the vibrance down because it's amore intelligent tool, it's not actually taking everything down. So look, the warm tones are still staying in the picture. See that her lips have a little bit of color to him. Her skin does, but her hair is black and white. Uh, the grass is black and white, so all the cool tones have been brought down, so that gives you an indication of what it's working on. In most cases, the vibrance tool is working less on increasing that the warm tones, and it's increasing blues and greens more, and then when you're going negative with it, it affects the warm tones less so it leaves the warm tones and it cools the cool tones down. It removes the cool tones, so that's kind of what it's doing, whereas Saturation does it all at the same time here, regardless of what color it is.

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Reviews

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).