Lesson Info

Geometry

And so now we're gonna go to the geometry section. The geometry section is very important when you're dealing with architectural work, but it also works well with people in the shot because it does a good job at renegotiating, um, the geometry of a photograph without destroying the geometry of the person. So I'm gonna fix this shot because it's this shot is all about frames and about perpendicular and, uh, horizontal lines. So I am going, uh, parallel lines, I should say. So I'm going to fix those, and I'm gonna do it with four lines. So we need to vertical lines and we need to horizontal lines in order to fix this photograph. So I could do this in several ways. There's a lot of different options here where I could actually, you know, play around with the distortion of the photograph. Like this woo, Um, I can do that. I can play around with the vertical and horizontal versions of, so I could do that. But this is all kind of a waste of time, actually. Hear better is to come in here and ...

use geometry and click on this little cross looking button. When I click on that. I'm actually going to get to draw lines that show where the hurl the important horizontal and vertical lines are. So the first whore vertical line is this window. So I'm gonna click here, hopes and add a point, and I'm gonna click here and drag there, and I'm gonna click and drag a line. I don't know why. Didn't work just a second ago, but here we are and let go. So that's the first vertical line. But you'll notice that nothing changed because I haven't added a second vertical line. So now I'm gonna come over on the left side and click on this window sill and give it the next vertical line. And now it shifted. So now all of our vertical lines, based on the one on the right and the one on the left have been fixed. But I still have some skew going on based on the horizontal. So now I'm going to come in and grab a horizontal line here like this Hopes grab a horizontal line like this. Not sure why that keeps doing that. I think I'm touching something here. Okay, so I'm gonna draw ah, horizontal line here across these windows there. And now you can see that it re negotiated itself again based on three lines. And now I'm gonna draw the last important line, which is down here a the bottom and it's gonna be that wall and I kind of messed up that line. So I need to grab this part and re negotiate it until it's right. I messed it up again. They're So now I have all four lines drawn. And if I turn off the geometry so that you can just see look at that, it is super perfectly square. And I love the shot that way because now all of those windows are perfectly square with the frame edge itself. And now it's It's the shot that I wanted. Um, obviously, I wasn't perfectly square when I shot the shot, but that's okay. I have the ability to fix it here in the geometry section, inside of light room itself. So that is geometry inside of light room. And my suggestion is that you usually use this guided option as opposed to you have other options, like auto and level on vertical. Those all just kind of automatically trying. Choose based on Oh, he wants everything vertical. He wants everything level. But my favorite is the guided inside of the geometry section.

Class Description

Lessons

1. Differences Between Lightroom Desktop and Lightroom Classic
2. Hard Drives
3. File Organization
4. 30,000 Foot View of Workflow
5. Importing into Lightroom
6. Building Previews
7. Collections and Publish Services
8. Keywords
9. Hardware for Lightroom
10. Searching for Images
11. Selecting Images
12. Organizing Images
13. Collecting Images for Use
14. Develop Module Overview
15. Profiles
16. Basic Adjustments
17. Basics Panel: Texture, Clarity, and Dehaze
18. Basics Panel: Saturation and Vibrance
19. Tone Curve
20. HSL
21. Split Tone
22. Lens Corrections
23. Details
24. Transform Tool
25. Effects Panel
26. Synchronizing for Faster Editing
27. Spot Tool
28. Skin Softening and Brush Work
29. Range Masking
30. Dodge and Burn
31. Working with Specific Colors
32. Edit Quickly with Gradient Filters
33. Making Presets
34. Preparing Image in Lightroom
35. Content Aware Fill
36. Skin Repair
37. Skin Smoothing
38. Expanding a Canvas
39. Liquify
40. Layers and Composite Images
41. Sharing via Web
42. Exporting Files
43. Sharing with Slideshows
44. Archiving Photos and Catalogs
45. Designing
46. Making Prints
47. Color Management and Profiles
48. Archiving Photos and Catalogs
49. Using Cloud Storage
50. Adding Images to your Portfolio
51. Collecting for Your Portfolio
52. Publishing Unique Websites Per Project
53. Sharing to Instagram
54. HDR
55. Panorama
56. HDR Panorama
57. Making Presets
58. Creating Profiles
59. Maps
60. Setup for Tethered Shooting
61. Sharing with the Client
62. Watched Folder Process
63. Second Monitor and iPad
64. Backup at the Camera
65. Gnar Box Disk Backup
66. iPhone and iPad Review
67. Importing to Lightroom on iPad
68. Cloud Backup
69. Adjust, Edit, and Organize
70. Using Lightroom Between Devices
71. Lightroom Desktop
72. Removing Images from the Cloud
73. Profiles
74. Light
75. Color
76. Effects
77. Details
78. Optics
79. Geometry
80. Crop
81. Adding and Using Presets and Profiles
82. Local Adjustments
83. Healing Tool
84. Synchronizing Edits
85. Editing in Photoshop
86. Finding Images
87. Sharing and Exporting Albums on the Web
88. Posting Images to Social Media
89. Overview of Lightroom Desktop
90. The Workflow Overview
91. Organizing Images
92. Albums and Shared Albums
93. Lightroom Desktop Workspace Overview
94. Importing and Selecting Images
95. HDR and Panoramics
96. Light
97. Profiles
98. Tone Curves
99. Color
100. Effects
101. Details
102. Optics
103. Geometry and Crop Tool
104. Sync Settings
105. Making and Adding Presets
106. Healing Brush
107. Brush Tool
108. Gradient Tool
109. Edit in Photoshop
110. Finding Images with Sensei
111. Sharing Albums on the Web
112. Print through Photoshop
113. Exporting Images to Files or Web Services
114. Connecting with Lightroom Classic and Mobile Devices
115. Archiving Images for Storage
116. Review of the Workflow