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Geometry

Lesson 79 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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Lesson Info

79. Geometry

Lessons

Class Trailer
1

Differences Between Lightroom Desktop and Lightroom Classic

19:42
2

Hard Drives

08:06
3

File Organization

08:31
4

30,000 Foot View of Workflow

05:36
5

Importing into Lightroom

04:10
6

Building Previews

07:14
7

Collections and Publish Services

05:11
8

Keywords

06:27
9

Hardware for Lightroom

06:08
10

Searching for Images

07:51
11

Selecting Images

14:15
12

Organizing Images

04:02
13

Collecting Images for Use

14:56
14

Develop Module Overview

10:15
15

Profiles

11:34
16

Basic Adjustments

11:45
17

Basics Panel: Texture, Clarity, and Dehaze

05:31
18

Basics Panel: Saturation and Vibrance

02:40
19

Tone Curve

09:26
20

HSL

04:48
21

Split Tone

08:19
22

Lens Corrections

08:32
23

Details

09:34
24

Transform Tool

05:52
25

Effects Panel

10:00
26

Synchronizing for Faster Editing

07:40
27

Spot Tool

17:51
28

Skin Softening and Brush Work

07:00
29

Range Masking

13:28
30

Dodge and Burn

17:36
31

Working with Specific Colors

08:30
32

Edit Quickly with Gradient Filters

11:22
33

Making Presets

13:24
34

Preparing Image in Lightroom

09:51
35

Content Aware Fill

11:14
36

Skin Repair

02:44
37

Skin Smoothing

14:39
38

Expanding a Canvas

04:30
39

Liquify

10:22
40

Layers and Composite Images

12:54
41

Sharing via Web

17:52
42

Exporting Files

10:47
43

Sharing with Slideshows

08:00
44

Archiving Photos and Catalogs

19:54
45

Designing

13:35
46

Making Prints

11:27
47

Color Management and Profiles

13:00
48

Archiving Photos and Catalogs

11:31
49

Using Cloud Storage

04:09
50

Adding Images to your Portfolio

09:23
51

Collecting for Your Portfolio

18:03
52

Publishing Unique Websites Per Project

19:48
53

Sharing to Instagram

07:06
54

HDR

15:32
55

Panorama

06:41
56

HDR Panorama

09:54
57

Making Presets

15:39
58

Creating Profiles

18:09
59

Maps

07:08
60

Setup for Tethered Shooting

23:21
61

Sharing with the Client

05:42
62

Watched Folder Process

07:04
63

Second Monitor and iPad

06:09
64

Backup at the Camera

03:50
65

Gnar Box Disk Backup

06:45
66

iPhone and iPad Review

12:52
67

Importing to Lightroom on iPad

02:59
68

Cloud Backup

04:39
69

Adjust, Edit, and Organize

07:46
70

Using Lightroom Between Devices

11:27
71

Lightroom Desktop

05:27
72

Removing Images from the Cloud

10:49
73

Profiles

09:34
74

Light

04:34
75

Color

05:36
76

Effects

15:22
77

Details

08:33
78

Optics

03:49
79

Geometry

04:12
80

Crop

04:39
81

Adding and Using Presets and Profiles

13:41
82

Local Adjustments

15:40
83

Healing Tool

03:29
84

Synchronizing Edits

04:57
85

Editing in Photoshop

08:54
86

Finding Images

07:09
87

Sharing and Exporting Albums on the Web

09:18
88

Posting Images to Social Media

14:01
89

Overview of Lightroom Desktop

07:35
90

The Workflow Overview

10:08
91

Organizing Images

05:10
92

Albums and Shared Albums

18:21
93

Lightroom Desktop Workspace Overview

04:36
94

Importing and Selecting Images

09:23
95

HDR and Panoramics

22:44
96

Light

07:47
97

Profiles

07:23
98

Tone Curves

02:57
99

Color

08:35
100

Effects

17:01
101

Details

12:43
102

Optics

04:05
103

Geometry and Crop Tool

06:01
104

Sync Settings

02:40
105

Making and Adding Presets

03:48
106

Healing Brush

02:21
107

Brush Tool

03:14
108

Gradient Tool

04:16
109

Edit in Photoshop

02:53
110

Finding Images with Sensei

06:32
111

Sharing Albums on the Web

04:57
112

Print through Photoshop

02:09
113

Exporting Images to Files or Web Services

04:36
114

Connecting with Lightroom Classic and Mobile Devices

05:24
115

Archiving Images for Storage

09:55
116

Review of the Workflow

07:20

Lesson Info

Geometry

And so now we're gonna go to the geometry section. The geometry section is very important when you're dealing with architectural work, but it also works well with people in the shot because it does a good job at renegotiating, um, the geometry of a photograph without destroying the geometry of the person. So I'm gonna fix this shot because it's this shot is all about frames and about perpendicular and, uh, horizontal lines. So I am going, uh, parallel lines, I should say. So I'm going to fix those, and I'm gonna do it with four lines. So we need to vertical lines and we need to horizontal lines in order to fix this photograph. So I could do this in several ways. There's a lot of different options here where I could actually, you know, play around with the distortion of the photograph. Like this woo, Um, I can do that. I can play around with the vertical and horizontal versions of, so I could do that. But this is all kind of a waste of time, actually. Hear better is to come in here and ...

use geometry and click on this little cross looking button. When I click on that. I'm actually going to get to draw lines that show where the hurl the important horizontal and vertical lines are. So the first whore vertical line is this window. So I'm gonna click here, hopes and add a point, and I'm gonna click here and drag there, and I'm gonna click and drag a line. I don't know why. Didn't work just a second ago, but here we are and let go. So that's the first vertical line. But you'll notice that nothing changed because I haven't added a second vertical line. So now I'm gonna come over on the left side and click on this window sill and give it the next vertical line. And now it shifted. So now all of our vertical lines, based on the one on the right and the one on the left have been fixed. But I still have some skew going on based on the horizontal. So now I'm going to come in and grab a horizontal line here like this Hopes grab a horizontal line like this. Not sure why that keeps doing that. I think I'm touching something here. Okay, so I'm gonna draw ah, horizontal line here across these windows there. And now you can see that it re negotiated itself again based on three lines. And now I'm gonna draw the last important line, which is down here a the bottom and it's gonna be that wall and I kind of messed up that line. So I need to grab this part and re negotiate it until it's right. I messed it up again. They're So now I have all four lines drawn. And if I turn off the geometry so that you can just see look at that, it is super perfectly square. And I love the shot that way because now all of those windows are perfectly square with the frame edge itself. And now it's It's the shot that I wanted. Um, obviously, I wasn't perfectly square when I shot the shot, but that's okay. I have the ability to fix it here in the geometry section, inside of light room itself. So that is geometry inside of light room. And my suggestion is that you usually use this guided option as opposed to you have other options, like auto and level on vertical. Those all just kind of automatically trying. Choose based on Oh, he wants everything vertical. He wants everything level. But my favorite is the guided inside of the geometry section.

Class Materials

Bonus Materials with Purchase

Adobe Lightroom Mobile Cloud
Adobe Lightroom Image Pipeline System
Workflow in Adobe Lightroom
BW Preset Collection
Color Art Pro Profiles

Ratings and Reviews

Ira Richterman
 

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

Dan Clarke
 

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

Hannah
 

Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Student Work

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