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Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 45 of 116



Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 45 of 116



Lesson Info


let me show you how you re negotiate this book. So if I want to take the book and I want to change the way it looks, um, I'm gonna scroll through and find the images that I want to put on the cover because I want to start with the cover. So I'm just scrolling through looking for and you can scroll through here to and look for the cover image. So let's say that that's gonna be my cover image. Actually, this is gonna be my cover image when I click on a page and a photo, and it shows me in down here in the filmstrip where that photo is. So then I can click on that photo and go up to the pit the cover and grab that photo and drag it in. And now it's being used twice, and you can see that there's a badge that says this image is being used twice. The other ones are being used once, So now I have a cover and I can right click that cover and say, Phil, zoom to for fill the cell. So now the cover is fully covered with that. So let's go into the cover down here in the book module, there is grid ...

view and there's a spread view and then a single page view. Let's look at the spread view. So this is what our cover is going to look like. I can re negotiate how the images crops. So I'm gonna do that. And then I'm going Teoh, I can add photo text, so I'm just going to say, uh, travel images. Okay, so that's gonna be the name of my book. Actually, I'm gonna say travel images by Jared. Uh, Platt, Except I don't want it to be all capitalized by Jared Platt. Okay, so now I'm gonna highlight all of those. I can actually move this anywhere I like. I'm gonna put it right up here in the sky and I'm gonna go scroll down. And this is where we start to get all into our information. So, like the padding on the cells, I have left and right on padding here. And so if I take the left in, I could move that. So it's renegotiating the padding on the left hand side and the right at the same time. If I click on these little white things here. I can unlinked the two. So now there's no linkage between them. So now I can just do the left side, and I could move it all the way to their Or I could come down here into the text options and Aiken center it. So here's all the justifications here, so I can just click on that center it I don't want to center. I think I like better doing the left padding and bring it into about their I can change the size of the characters. And then I'm gonna highlight my name and bring those down like that. And then here, um, I actually that's fine. Um, so now what I want to do is I want to, um, change the color of these. I'm gonna dio click on the character color here, and I'm going to change that to something in. So look how I'm selecting inside of the color picker. But I can also go outside and just look for a color outside here. So I'm just looking for something like maybe the blue here up in this mountain. I like that. So I'm just gonna go for, like, a bluish gray kind of there. I like that. And then I'm just gonna increase. But actually, it's a little purple e. I don't like it that much purple. I'm gonna go a little bit more blue on it, and I'm going to go a little bit darker like that. Okay, so I like that color. That's gonna be the color at the top. Then I'm also going to copy that, and I'm gonna go to the spine. Oh, it might. It might be that the spine is too thin and so I won't be able to put attacks there. If the spine is thick enough, it will give you a place to put text. So let's let's play with the spine, though, because I want the spine not to be white. So at the very bottom, we have the ability to add a background. And so our background for this image is going to be simply actually could be interesting. So I don't want to apply this globally at all, but I can change the background color, click on this and just do this again. I can change the background color so that it s'more like to cover itself like that. But I think I might be able to also change the background to be this. Yeah, and then, unfortunately, that might change. Hold on. Let's look. No, it's fine. Okay. If you applied it to a page and sit apply globally, it would put it on every background page. But since we are just doing it on the cover now, I can put a spine on the cover, and then I can just, ah, change the background color in the opacity so that I could, you know, like, do something like that. More interesting, I guess. Um, so anyway, that's my spine now and then I can take another image on Let's just do say, this image as my background image for this one, right? Click it fill of the cell and there we go. So there's my cover to my book, and now I can just go and re negotiate the pages. So inside the pages, you can right click any page and add a blank page or add another page. If you had a blank page, it just does a blink. She and so I'm gonna grab it and move this to here. So you just grabbed the yellow thing below. And then I can also add another. So I'm gonna just keep adding to I had to blank pages. So add another blank page. That way, you gotta add two pages at a time. Otherwise, you're right. Left thing gets messed up. So now I've got these two added, This one's gonna be my title page. I can change any page and style just simply by clicking on this little arrow down below the page and then choosing what I want for the style of the design. So if I want three photos, I look this way. But I want tohave, um, just text. So I'm gonna click on the text pages, click on this page. And so now I have texts here, and I'm just gonna call it the same thing travel images, and I'm going to center it, and I'm gonna center on the page itself. Um, travel images. So now it's going to open with travel images as a page, and then it's going to start here. I could start writing stuff on this page on, and then any time I want to add pages or move things like, for instance, if I'm like I don't need three of these. So I'm going to actually take this image and move it over to here. I like that image better. And then this one, I'm just gonna delete that entire cell. I don't I don't even need the cell at all. So I'm gonna remove this cell, and I can turn this one into a text page, and then I can start writing something on here. So I'm just going to say, writing Bob above a global blah, blah, blah so I can add riding on that page, and then I can center it And do you know whatever I want to do to that? Um, so that could be a text page if I want to delete a photo and just keep scrolling through and looking for imagery that I don't necessarily want to keep in the book or that need its own page like this one needs its own page. So I'm going to right click here and add a blank page, and then I'm gonna right click again and add another blank page there. And now this one I'm gonna change into a double page, spreads a two page spread. I want to fill the whole thing. So now I've got a double page spread here. Ah, the whole photo fills everything. And then here, I need to remove one of these pages. So let me just remove this page there. So now I can take this, move it over this side. And now I've got a page over here that I can ride on. So negotiating these things is really quite simple. And if I want to, I can always zoom this photo up until it becomes square and then move it within their there. I like that. That's a good square photo. So it's really easy to negotiate and play around with the images. Just kind of scan through your book and change things. And then remember, I had those logos in there. There they are right there. So I'm gonna right click Armenia shift click. All of these, and I'm gonna remove those pages like that. And then I just need to add a blank page here so that the two helicopters air together and then this one can actually become a full Ah, two page spread. Do that again. Still need I keep having to remove that page there Okay, So now fill this one, Uh, there. So you can see how easy it is to start designing a book. The one thing that I would suggest is that if you're gonna do any writing, make sure that you write a document and have the document to the side and then just copy and paste because there's not like a spell check in here, and it's not really easy to type stuff in. You can always type stuff in by clicking on an image and going like this. You have a full page spread, but it's still a little, you know, slow to do so. Like I can take this and move this up, move the whole thing to there. And then I could just add some text so I can either add page text or I can right click, and I can say, add a cell photo description and see out comes in with a number that's because of that, that setting that we set in the preferences, but all I have to do is go in and double click it, delete it, and then I can start adding text here below the photo. So and then of course, I can change that text to be anything that I like, so that those are the tools that you have in creating a book inside of blurb, And it's a fantastic way to work. The great thing about working inside of blurb or inside of the book module and sending to blurb is that you're actually designing a raw book, the images that you're working on, a completely raw. You can always click on an image and say, Oh, I need toe re edit that image because it looks wrong in association to this image. So if I just go to this image right here and I go to the develop module, that image shows up. So I'm looking at the image that I was just working on. And then when I go back to the book module after changing it, then it's I'm right back on that page, and I can re negotiate that specific image on that page. So it's a fantastic way to work. I would much rather design a book right here in the in the book module than anywhere simply because of the raw capability. So you can't even do this. An in design because in design doesn't accept raw images. So you have tow export images, then you design your book, and then you have to re export the images and overwrite those images and then synchronize the changes between the images. So this is just so much easier to work. So a book is a fantastic toe way to share. It's not that expensive, especially if you use a magazine or a, um, or a trade book. So magazines and trade books are really inexpensive, still beautiful quality printing. And then, of course, you could go to the photo books. And in the photo books, you can choose either a lay flat or a normal photo book. And they're really, really high quality, beautiful ways to show your work and very quick and easy to make inside of light room. So that is the book module. Once you're done, all you have to do is just send that book toe blurb by clicking this little button at the very bottom. But I can't do that because I don't have the original files available to me right now, all I have to do is go home, plug it into the drive that has those files on it and hit Send trade book toe blurb. And then when it's done sending it will open up the Web page and ask me how many books I want to order. I can order one or I can order 50. And as a bonus, when you're ordering your first book, you can also choose to order a pdf. A copy of that book and blurb will put it together as a digital book copy that you can send anywhere It flips open. And it's a really nice looking book that someone could put into their IPad or something like that. So that is the book module. I hope you use it because fantastic way to share a physical product with someone, and it's really easy, really fast, great quality.

Class Description

All lessons are also available here for individual purchase.


  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom


Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.


  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes


Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2


Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at


  1. Differences Between Lightroom Desktop and Lightroom Classic
  2. Hard Drives
  3. File Organization
  4. 30,000 Foot View of Workflow
  5. Importing into Lightroom
  6. Building Previews
  7. Collections and Publish Services
  8. Keywords
  9. Hardware for Lightroom
  10. Searching for Images
  11. Selecting Images
  12. Organizing Images
  13. Collecting Images for Use
  14. Develop Module Overview
  15. Profiles
  16. Basic Adjustments
  17. Basics Panel: Texture, Clarity, and Dehaze
  18. Basics Panel: Saturation and Vibrance
  19. Tone Curve
  20. HSL
  21. Split Tone
  22. Lens Corrections
  23. Details
  24. Transform Tool
  25. Effects Panel
  26. Synchronizing for Faster Editing
  27. Spot Tool
  28. Skin Softening and Brush Work
  29. Range Masking
  30. Dodge and Burn
  31. Working with Specific Colors
  32. Edit Quickly with Gradient Filters
  33. Making Presets
  34. Preparing Image in Lightroom
  35. Content Aware Fill
  36. Skin Repair
  37. Skin Smoothing
  38. Expanding a Canvas
  39. Liquify
  40. Layers and Composite Images
  41. Sharing via Web
  42. Exporting Files
  43. Sharing with Slideshows
  44. Archiving Photos and Catalogs
  45. Designing
  46. Making Prints
  47. Color Management and Profiles
  48. Archiving Photos and Catalogs
  49. Using Cloud Storage
  50. Adding Images to your Portfolio
  51. Collecting for Your Portfolio
  52. Publishing Unique Websites Per Project
  53. Sharing to Instagram
  54. HDR
  55. Panorama
  56. HDR Panorama
  57. Making Presets
  58. Creating Profiles
  59. Maps
  60. Setup for Tethered Shooting
  61. Sharing with the Client
  62. Watched Folder Process
  63. Second Monitor and iPad
  64. Backup at the Camera
  65. Gnar Box Disk Backup
  66. iPhone and iPad Review
  67. Importing to Lightroom on iPad
  68. Cloud Backup
  69. Adjust, Edit, and Organize
  70. Using Lightroom Between Devices
  71. Lightroom Desktop
  72. Removing Images from the Cloud
  73. Profiles
  74. Light
  75. Color
  76. Effects
  77. Details
  78. Optics
  79. Geometry
  80. Crop
  81. Adding and Using Presets and Profiles
  82. Local Adjustments
  83. Healing Tool
  84. Synchronizing Edits
  85. Editing in Photoshop
  86. Finding Images
  87. Sharing and Exporting Albums on the Web
  88. Posting Images to Social Media
  89. Overview of Lightroom Desktop
  90. The Workflow Overview
  91. Organizing Images
  92. Albums and Shared Albums
  93. Lightroom Desktop Workspace Overview
  94. Importing and Selecting Images
  95. HDR and Panoramics
  96. Light
  97. Profiles
  98. Tone Curves
  99. Color
  100. Effects
  101. Details
  102. Optics
  103. Geometry and Crop Tool
  104. Sync Settings
  105. Making and Adding Presets
  106. Healing Brush
  107. Brush Tool
  108. Gradient Tool
  109. Edit in Photoshop
  110. Finding Images with Sensei
  111. Sharing Albums on the Web
  112. Print through Photoshop
  113. Exporting Images to Files or Web Services
  114. Connecting with Lightroom Classic and Mobile Devices
  115. Archiving Images for Storage
  116. Review of the Workflow



Thorough but very easy to follow. I've noticed a significant improvement in my work since starting this course a couple weeks ago, and I'm also spending noticeably less time editing my photos. I appreciate that it's up-to-date as of October, 2020, so the info is current (I wish CL would take down some of the older courses, since software changes make some of them obsolete).

Kyosa Canuck

I hate to say this is a repetitive class due to covering much of the same things in each LR app. I appreciate Ben's classes better but this does give different perspectives. Also, Ben knows better than to use the word "super" let alone use it 10+ times per lesson.

Kayode Olorunfemi

I have been using lightroom for upwards of 6years and I still found this course incredibly useful. It can be useful learning through desperate tutorials online, but having a course that ties everything together, coupled with foundation principles, is invaluable.