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Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 28 of 115

Skin Softening and Brush Work

 

Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 28 of 115

Skin Softening and Brush Work

 

Lesson Info

Skin Softening and Brush Work

now what I want to do is I want to actually go in and work on her skin. I want to soften the skin up a little bit, so that's just a nicer skin tone. And if I were to do this in the develop module just globally, I could do it with the texture or the clarity knobs. But the problem is the texture and clarity. Knobs are global, so they're affecting everything in the photograph, including her hair, the textures on her dress, all that kind of stuff. So what we want to do is we want to select just the area of her skin that we're gonna work on. So what I'm gonna do is I'm actually going to click on the brush and I'm going to go in with the brush and paint on effect. And that effect is going to be a negative texture, a little bit of positive clarity, just so that, like I get some nice like, the chunkier things get a boost. But the skin gets a little bit of ah, cover of, ah, softness to it. The other thing, that and I'm I'm doing this so you can see what I'm thinking when I'm creating an effect.

So I'm gonna work on the texture So let me zoom in So you can see this. I'm gonna work on the texture Bring it down I'm gonna add a little bit of clarity just so I get sharpness in the eyes and the eyeliner and stuff like that. But I'm gonna take contrast down So I'm taking contrast down Because all of the all of the things that you see an inconsistent skin is a matter of contrast inside the skin. So I'm taking the contrast down itself. I'm going to bring the shadows up just a little bit so that I've got kind of ah filling in the shadows cause the shadows create like, texture in the skin like a poor Think about a poor It's it's a shadow. Um And so I've done all of that. And then the last thing I want to do is take a little sharpness out. Remember, if you were take sharpness on a global photo and just really jack up the sharpness of the super Sharp, you would see that the face would get like, crunchy and it because it's sharpening the actual pixels and so it would get really crunchy and ugly. And so when you take the the sharpness down, you do the opposite and you smooth it out. So those are the kind of things that I would do in order to create this effect to give me a nice soft look on her face. So what I'm gonna do now is I'm gonna brush that in, but in order for you to see what I'm doing right below the photo on the left hand side here is a show selected mask overlay, and I just gonna paint it in and show you the overlay. And I have the overlay as green, you can choose what color the overlay will be. But I'm just doing a green overlay and I'm just coming in and painting her arm. And I'm painting this arm here and then her face. So there's all the skin and you're probably wondering, uh, Jared, that's not very accurate. And that's fine. It doesn't matter. It doesn't have to be super accurate. Ah, and I'll show you why in a second. So the first thing we're gonna do is check and see how our settings worked. So let's go toe Oneto one and then let's look and I'm going to just turn this on and off. So remember I said all these settings before I ever even painted anything. I was just I knew kind of what needed to be done based on the idea of what creates texture on skin. And so, based on that idea, it looks good, and I'm gonna turn it on and off so you can see the final effect. So here's what it looks like before, and here's what it looks like after see how it glows. It's just a nice, healthy glow to her skin. There's still texture in it. There's still pours. You can still see things in her skin, but it's soft. It looks good. It's not like, uh, it doesn't look like dolls like Plasticky doll Look, um, so I like the way that looks. So now that I've tested all of the settings that I just made, here's a little tip. You actually get to create a preset here, So we're gonna go in, let me zoom in here again, and I'm going on this effect. I'm gonna click the custom right above it says custom and I'm going to go down to the very bottom of this list and at the very bottom, and I want you to look at how they're labeled. See all that. So see, I have all these skin options, and I really like that one. It's a really great look on her skin, so I'm going to save that as a preset. So I'm gonna do it under hair and makeup. So that's in the four hundreds, and I'm just going to do it as 4 So it's going to be 4 10 and I will call it healthy, warm, healthy glow. That's what we just call healthy glow. All right, so 410 is gonna be the name of that. So I'm going to save it as a new preset, and I'm gonna call it four for Healthy Glo. Oh, I need to put skin at the beginning of it there. So for 10 skin healthy glow, and so now when I click on it, see, it's right in its right position, so very easy. And if I ever want to rename it, which I think I kind of messed up on the name I said, Yeah, there should be a dash. There should be a dash after instead of before. So I'm just gonna go back down here and I'm gonna rename the preset and we're gonna call it Skin dash healthy glow and get rid of that and rename There we go. So now it's gonna fall right into place with all of my other presets. So I click on that. So from here on out, if I ever want that skin healthy glow again, all I have to do is go in here If I create, If I go to brush something and it's, you know, on some other, I could just click on it and go toe for 10 skin healthy glow. And I've got everything mapped out the way I want it and then just painted in. So use those presets again. Just never do anything twice if you if you've If you've done something once and it took you a while to figure out what you liked and what style you liked, save it is a preset so that you never have to do that again. You just toggle it on and paint

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Lessons

  1. Differences Between Lightroom Mobile and Lightroom Desktop
  2. Hard Drives
  3. File Organization
  4. 30,000 Foot View of Workflow
  5. Importing into Lightroom
  6. Building Previews
  7. Collections and Publish Services
  8. Keywords
  9. Hardware for Lightroom
  10. Searching for Images
  11. Selecting Images
  12. Organizing Images
  13. Collecting Images for Use
  14. Develop Module Overview
  15. Profiles
  16. Basic Adjustments
  17. Basics Panel: Texture, Clarity, and Dehaze
  18. Basics Panel: Saturation and Vibrance
  19. Tone Curve
  20. HSL
  21. Split Tone
  22. Lens Corrections
  23. Details
  24. Transform Tool
  25. Effects Panel
  26. Synchronizing for Faster Editing
  27. Spot Tool
  28. Skin Softening and Brush Work
  29. Range Masking
  30. Dodge and Burn
  31. Working with Specific Colors
  32. Edit Quickly with Gradient Filters
  33. Making Presets
  34. Preparing Image in Lightroom
  35. Content Aware Fill
  36. Skin Repair
  37. Skin Smoothing
  38. Expanding a Canvas
  39. Liquify
  40. Layers and Composite Images
  41. Sharing via Web
  42. Exporting Files
  43. Sharing with Slideshows
  44. Archiving Photos and Catalogs
  45. Designing
  46. Making Prints
  47. Color Management and Profiles
  48. Archiving Photos and Catalogs
  49. Using Cloud Storage
  50. Adding Images to your Portfolio
  51. Collecting for Your Portfolio
  52. Publishing Unique Websites Per Project
  53. Sharing to Instagram
  54. HDR
  55. Panorama
  56. HDR Panorama
  57. Making Presets
  58. Creating Profiles
  59. Maps
  60. Setup for Tethered Shooting
  61. Sharing with the Client
  62. Watched Folder Process
  63. Second Monitor and iPad
  64. Backup at the Camera
  65. Gnar Box Disk Backup
  66. iPhone and iPad Review
  67. Importing to Lightroom on iPad
  68. Cloud Backup
  69. Adjust, Edit, and Organize
  70. Using Lightroom Between Devices
  71. Lightroom Desktop
  72. Removing Images from the Cloud
  73. Profiles
  74. Light
  75. Color
  76. Effects
  77. Details
  78. Optics
  79. Geometry
  80. Crop
  81. Adding and Using Presets and Profiles
  82. Local Adjustments
  83. Healing Tool
  84. Synchronizing Edits
  85. Editing in Photoshop
  86. Finding Images
  87. Sharing and Exporting Albums on the Web
  88. Posting Images to Social Media
  89. Overview of Lightroom Desktop
  90. The Workflow Overview
  91. Organizing Images
  92. Albums and Shared Albums
  93. Lightroom Desktop Workspace Overview
  94. HDR and Panoramics
  95. Light
  96. Profiles
  97. Tone Curves
  98. Color
  99. Effects
  100. Details
  101. Optics
  102. Geometry and Crop Tool
  103. Sync Settings
  104. Making and Adding Presets
  105. Healing Brush
  106. Brush Tool
  107. Gradient Tool
  108. Edit in Photoshop
  109. Finding Images with Sensei
  110. Sharing Albums on the Web
  111. Print through Photoshop
  112. Exporting Images to Files or Web Services
  113. Connecting with Lightroom Classic and Mobile Devices
  114. Archiving Images for Storage
  115. Review of the Workflow

Reviews

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