Skip to main content

Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 3 of 115

File Organization

 

Adobe Lightroom 2020: The Ultimate Guide Bootcamp

Lesson 3 of 115

File Organization

 

Lesson Info

File Organization

So, first off, we want to put our photos in an actual hard drive where they're going to rest. So I'm going to show you, uh, my dr and inside of that drive. So this is the This is the tough tech do of the sea. Are you? This is my raid one system. And inside that raid, one system, there's a jobs folder and inside that Jobs folder, there are jobs. Now you whether or not you're a professional photographer, that doesn't matter. You're still going to treat things as jobs or events or moments. Things that you did could be. I traveled to Italy. So there's gonna be a folder with the date and where I went or the date and my son's birthday party. So I am always naming my jobs with the date and then an underscore and then the name of the client and then an underscore, and then whatever it waas and that helps me maintain order inside of my files. So I'm not actually putting them inside a light room. So light room has the option. If you plug in a card, it'll pop up and try and import Um, for you, I'...

m not a big fan of that, because every person whoever does that, that's the same person that always loses their files. And they don't know where they went because they didn't put them there. So I'm I'm I'm a big believer in the idea of taking your images, plugging them into the computer, highlighting your, uh, that card and putting it into the actual drive where it's going to go. So simply install your card, Um, and then you're gonna actually put it You're going to get those files and put them where they go. So in this case, I have a little SD card reader here, and so I am going to use the SD card to ingest the files. If I had a CF card greeter than I would just use the C F cards because it shoots two different cards. So I'm gonna take my cards and put him into the card reader and plug him into the computer, and we're going to see those pop up right here. There's the file. Uh, here's the card. Inside the card is a bunch of photos. Now, I can make this a lot easier on myself. Instead of opening up this file. This actual card, I can actually go in to the Jobs folder, and I'm going to create a new job. We're just gonna call this 2000 20? Uh 01 And then if it's something that I've shot over a long period of time So let's say it was ah, trip or it was just random photos around the house for the last three weeks. Then I would not put an actual date on it. I would just put 00 And that would mean this is 2020 the first month and no specific date. If it was something where it was an entire year project, I would do 2020 and then And that would tell me that it's just that year. No specific month or day. Um and then I'm going to put an underscore on. Then I'm gonna put Platt because it's actually actually this were on creative life. So I'm gonna put creative live and then underscore and personal. So that gives me an idea of what it is. Where, what client I'm doing it for and what day I did it Then, inside of that folder. I'm going to create another folder and we're gonna call this raw. So this is where all of my raw images go. Now, if later on I add contracts to this job or I get shot lists from a client or I just have ah, you know, screenshots from something that I want to add to the system or I want toe remind myself something, anything that has to do with the job. I'm gonna put it in this folder. But right now, we're just gonna put these raw files into this folder. And so instead of opening it up and then clicking in here and going and and highlighting all those, I'm just going to highlight this and hold down the option key or the Olt Key. If you're on PC and grab it and dragon and there's a little plus sign that shows up on my cursor. And when I let go, that means it's gonna copy. The plus sign means that it's copying everything from that card into this folder. If, on the other hand, you grab it and you don't push that If you if you were just to grab this and dragon and like this. There's an arrow. If you see an arrow, you're not actually copying anything. All you're doing is making an alias or a short cut to it. You don't want to do that. You want to make sure you copy it. So now I've got my copy coming in. Now I know exactly where the photos are at all times there in my raid one drive, and because I've put him on the raid One drive. I actually have two copies of it now. So once I eject this, um folder or as this this card, I now have two copies here, and I have two copies on my raid One system. And then, if I ever take the rate the second drive and pull it out and put 1/3 drivin, I will now have five total copies before I ever do anything else with it. So I'm immediately backed up all the time. That's important. That is incredibly crucial, especially for professionals, because we have to protect the images that we make. But I'd say it's important for everybody, not just professionals, because who wants to lose files? So that's the first step in file management is to a name your stuff correctly be have backups of everything as often as possible in C know where your files are at all times. Now you can help yourself with this if you always do everything the same way every single time. So for me, because I'm a professional photographer and I like to take pictures of my kids. And I like to go travel and take pictures. I'm I just live photography. And so I treat everything exactly the same. So it doesn't matter if it's a birthday party or if it's a wedding that I'm shooting or traveling or just pictures that I took when we were traveling to Disneyland or something like that. They're always treated the same way. They're treated like a job, and I'm gonna put them in the same place. I'm always gonna make a folder for him. I'm always gonna make a raw file. I'm always gonna put the photos into a particular folder so that I'm completely organized. If you have more than one card on a particular shoot inside this raw folder, you can actually create MAWR files. So what I do is I go inside the raw file. Uh, and I click on the this little instead of the column view on a Mac, I go into the list view, and once I'm in the list view on a Mac, I can actually just hit. I could just create a new folder just by holding shift command. And then N and I could just make a bunch of new folders. And then I'll just put each card inside of each one of these folders, and the reason that I do that this is just really quick to grab, um, option. Click him in and then do it again. Option Click Drag, Option Cook, Drag. It's really fast to put him in, and I have four card readers that one time coming in and ingesting these things four cards at a time. So when I'm shooting a wedding, I've got a lot of cards, so it's easier to pull in a lot of cards that way. But if you're traveling most of the time, you're just bringing in one card at a time. So either way put them all inside this raw folder, and then once you're inside that raw folder, you now have everything safe, and then it's just a matter of going into light room, and that's where the fun begins, where we actually get to start working on our files.

Class Description

All lessons are also available here for individual purchase.

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Efficiently cull and retouch photographs
  • Manage your files to enable seamless and immediate recall
  • Get your computer and software to run faster
  • Create impressive photo books and slideshows
  • Take advantage of global adjustments
  • Improve your mobile workflow with both your iPhone and iPad
  • Deliver and share your images directly from Lightroom

ABOUT JARED’S CLASS:

Adobe® Lightroom® is the industry standard for post-production workflow and in Adobe Lightroom: The Ultimate Guide, you’ll learn Jared Platt’s gold standard for retouching and managing files quickly and efficiently.

Jared will show the ins and outs of Lightroom Classic, Lightroom Mobile, and Lightroom Desktop. He’ll demystify the difference between each and demonstrate when to use each one for maximum output.

Jared will share tips on improving every phase of your workflow – from shooting to archiving. You’ll learn how to take advantage of the latest Lightroom tools and features and become faster and more skilled at adjusting your images.

WHO THIS CLASS IS FOR:

  • Beginner, intermediate, and advanced users of Adobe Lightroom
  • Those who want to gain confidence in Adobe Lightroom and learn new features to help edit photos
  • Students who’d like to take ordinary images and make them look extraordinary with some image editing or Lightroom fixes

SOFTWARE USED:

Adobe Lightroom Classic 9.2
Adobe Lightroom Desktop 3.2
Adobe Lightroom Mobile 5.2

ABOUT YOUR INSTRUCTOR:

Jared Platt is a professional wedding and lifestyle photographer from Phoenix, Arizona. Jared holds a Masters of Fine Arts in the Photographic Studies and a Bachelors of Fine Arts in Photography from Arizona State University and has been a professional photographer and college educator for the past 12 years and has been a speaking, debating and lecturing for the past 17 years. His attention to detail and craft make him a demanding photography instructor. Jared has lectured at major trade shows and photo conferences as well as at universities around the world on the subject of photography as well as workflow. Currently, Jared is traveling the United States and Canada teaching and lecturing on photography and post production workflow. Join him online for monthly "Office Hours" at www.jaredplattworkshops.com.

Lessons

  1. Differences Between Lightroom Mobile and Lightroom Desktop
  2. Hard Drives
  3. File Organization
  4. 30,000 Foot View of Workflow
  5. Importing into Lightroom
  6. Building Previews
  7. Collections and Publish Services
  8. Keywords
  9. Hardware for Lightroom
  10. Searching for Images
  11. Selecting Images
  12. Organizing Images
  13. Collecting Images for Use
  14. Develop Module Overview
  15. Profiles
  16. Basic Adjustments
  17. Basics Panel: Texture, Clarity, and Dehaze
  18. Basics Panel: Saturation and Vibrance
  19. Tone Curve
  20. HSL
  21. Split Tone
  22. Lens Corrections
  23. Details
  24. Transform Tool
  25. Effects Panel
  26. Synchronizing for Faster Editing
  27. Spot Tool
  28. Skin Softening and Brush Work
  29. Range Masking
  30. Dodge and Burn
  31. Working with Specific Colors
  32. Edit Quickly with Gradient Filters
  33. Making Presets
  34. Preparing Image in Lightroom
  35. Content Aware Fill
  36. Skin Repair
  37. Skin Smoothing
  38. Expanding a Canvas
  39. Liquify
  40. Layers and Composite Images
  41. Sharing via Web
  42. Exporting Files
  43. Sharing with Slideshows
  44. Archiving Photos and Catalogs
  45. Designing
  46. Making Prints
  47. Color Management and Profiles
  48. Archiving Photos and Catalogs
  49. Using Cloud Storage
  50. Adding Images to your Portfolio
  51. Collecting for Your Portfolio
  52. Publishing Unique Websites Per Project
  53. Sharing to Instagram
  54. HDR
  55. Panorama
  56. HDR Panorama
  57. Making Presets
  58. Creating Profiles
  59. Maps
  60. Setup for Tethered Shooting
  61. Sharing with the Client
  62. Watched Folder Process
  63. Second Monitor and iPad
  64. Backup at the Camera
  65. Gnar Box Disk Backup
  66. iPhone and iPad Review
  67. Importing to Lightroom on iPad
  68. Cloud Backup
  69. Adjust, Edit, and Organize
  70. Using Lightroom Between Devices
  71. Lightroom Desktop
  72. Removing Images from the Cloud
  73. Profiles
  74. Light
  75. Color
  76. Effects
  77. Details
  78. Optics
  79. Geometry
  80. Crop
  81. Adding and Using Presets and Profiles
  82. Local Adjustments
  83. Healing Tool
  84. Synchronizing Edits
  85. Editing in Photoshop
  86. Finding Images
  87. Sharing and Exporting Albums on the Web
  88. Posting Images to Social Media
  89. Overview of Lightroom Desktop
  90. The Workflow Overview
  91. Organizing Images
  92. Albums and Shared Albums
  93. Lightroom Desktop Workspace Overview
  94. HDR and Panoramics
  95. Light
  96. Profiles
  97. Tone Curves
  98. Color
  99. Effects
  100. Details
  101. Optics
  102. Geometry and Crop Tool
  103. Sync Settings
  104. Making and Adding Presets
  105. Healing Brush
  106. Brush Tool
  107. Gradient Tool
  108. Edit in Photoshop
  109. Finding Images with Sensei
  110. Sharing Albums on the Web
  111. Print through Photoshop
  112. Exporting Images to Files or Web Services
  113. Connecting with Lightroom Classic and Mobile Devices
  114. Archiving Images for Storage
  115. Review of the Workflow

Reviews