Fine Art Photography: The Complete Guide

 

Fine Art Photography: The Complete Guide

 

Lesson Info

Shoot: Sand Image

We're in this little tiny room with this one little tiny window and we're doing the sand shoot, which has been a lot of logistics to get to this place. Because when I was planning this shoot, I wrote down that I needed 800 pounds of sand and I put a little question mark next to it because I did not know if that was going to be possible, especially since we're out in the middle of nowhere and it ended up being possible. And here we are in this little tiny space with all of this sand and this beautiful chair. And the goal here is to create this super atmospheric very old feeling image and I think that we're going to be able to achieve that with this little tiny window with this light streaming in. Which is a situation that I would actually not shoot in generally. It's my natural instinct to shoot with the window light coming straight in at somebody rather than sweeping across the scene in this very diagonal sort of way. So I'm challenging myself in this space and I think that aside from ...

that lighting challenge, it's going to be a really beautiful image. And I'm really excited to see how it goes. But we have a couple of things that we have to do here in order to make it work. First of all we do have sand, but we have apple boxes put in place to try to hold the sand in because we didn't want the sand to just sort of spill everywhere into this room because then it wouldn't be piled up around the chair like I wanted. So we have things holding it in and just when I'm about to shoot, I'll move all of that away, let the sand spill down a little bit more and hope that everything stays in position long enough. I actually ended up choosing this room because the floor slants in the direction of the sand which is really helpful so that the sand doesn't immediately roll away. That would be completely terrible and a waste of 800 pounds of sand, which we're going to donate to playground afterwards. So all is well. But we have to get started here, get our model in place, so Kristen if you wouldn't mind just taking a seat on the chair. There goes sand. There it goes. Awesome, okay that's perfect. And she instinctively sat down in exactly the right position, this is exactly what I want you do to. So you are perfect right now and I'll pose you in just a second. But first I'm going to get the sand moving around here. You can see that it's already streaming in the window light, which I did not anticipate. And I am so excited about that. Because I think if we can capture that in the image, that's going to be beautiful. So I'm going to just really gently move this tarp. And, okay, this is good. So I'm just going to cover up the tarp a little bit. Just make sure that we don't see that as much as possible. I know that part of the goal here was to not dirty this house, but you know when you're in the moment you just do what you have to do and then you cross your fingers that no one's mad at you afterwards. Or at least that's my theory. So here go the apple boxes. This is like an adult's dream, right? Like it's not just for children. Okay, we've got one out. So far so good. And the thing that I should mention is that if for whatever reason we can't cover this tarp, that's okay I'll just get another shot later of the sand hitting the floor. And we don't have to worry too much about that. I think this apple box is now filled with sand, so. Yep, there it goes. Oh my gosh. Okay, that looks good. Wow. And then we've got a couple extra bags. I know that I do see these back here, these apple boxes. I'm gonna leave that one, cause it's just in the shadow. And I actually think that one will be completely covered as well because of that strip of shade that's in there so I'm not worrying about that right now. But I am going to cut these open, with some scissors. (plastic ripping) Let's see what we can do here. I may be small, but I'm very strong. Oh it looks so good. I'm like a little kid right now, are you doing okay? Yes. Okay. There and then one more for this side here. (plastic ripping) That one little flap, okay. There we go. Alright, we did it. It's very dusty in here. Maybe that's obvious already. But I'm just going to smear this around just slightly. This is a professional technique of making sure that the sand looks really natural. I just made it up myself. And we're gonna get that out of there. Okay I'm going to build it up a little bit around the dress. And now I'm going to decorate our subject. So as if you're not decorated enough, I'm going to put some sand on you. There, oh, look at that. It sticks really nicely, so that's really good. I'm making sure that she actually looks integrated into this sand pile not like we just sat her down here. And the sand is sticking beautifully. So this looks really good. Get some up here, you can move your hands if you want. Want them messed? Oh yeah. Yeah. We have a model who likes to play so this is really good. Okay, now I'm going to have you get in position. Your position is going to be letting it actually fall off your shoulders and you'll just sort of hunch this way, just fall this direction. Yes, exactly, that's very good. And I'm going to take a look. I'll let you know if anything needs to change. But for now, I'm just going to let your back show a little bit right here. That'll be good. And I'm going to take a look through my camera. So I'm actually switched over to a 25mm lens. And this is going to allow me to see what I need to see in this room to start. This is looking so beautiful through my camera. I'm very excited here. And I'm already getting ideas about editing so I'm already starting to think, should I take that window out of the picture or should I leave it in and actually edit something out that window that's relevant to this scene. So I'm not sure yet what I'm going to do, but we'll find out later. So I'm going to take my first shot, 'cause I actually love this pose. So I'm going to capture this as it is. That looks just beautiful. And then I'm going to take a couple extra shots around the space. And now we're going to try one more pose just to make sure that I have some options in this room. So I'm going to have you actually turn your body a little bit more this way, just your upper body, yep. And then just fall forward. Yep, no, that was perfect. That's exactly what I want. And then I might have you just angle a little bit so if you wouldn't mind taking your left shoulder up and your right shoulder down more, yep exactly. Perfect. And then I'll just really quickly shoot a couple more images there. Okay, and then I lied, as all photographers do. So if you can sit up in the chair once more. And I'm actually gonna have you stay sitting up with your arms exactly as they are but turn your upper body away from me as much as you can. You want me this way, or? Facing away as much as you can. Yep, just like that. And then let's have you take your shoulders toward the corner of the room even more. Yep, and then actually lean into the corner of the room. Good and then, again I lied. But I'm going to have you take this arm forward, yep, and then hold on and turn away just like that, perfect. Okay. And I'm going to shoot this really fast. (shutter clicks) Good. (shutter clicking) Okay. And we are finished with that shoot. So you can get comfortable. And what I was thinking about there was just allowing her to look fragile in this space where sand is symbol of time and letting our subject sort of blend right into the floor in this very old chair in this very old dress, looking like she belongs in this space. So I'm really excited to try out this new type of lighting for me, see how it goes and I think it's going to fit really well into the series which we're going to keep shooting now.

Class Description

Creating a great photo for a client is one thing - but turning your passion and ideas into a series that is shared, shown, and sold is a whole different business. If you do it right, you’ll be shooting what you love all the time. Learn how to choose which ideas to create, how to turn your concept into a production, and steps to getting your work seen and even sold in Fine Art Photography: A Complete Guide with Award-Winning Photographer, Brooke Shaden.

This is an all-inclusive workshop that provides the tools you need to run a successful and creative business as a fine art photographer. You’ll learn creative exercises to find and develop your ideas, how to create an original narrative, how to produce your own photo series, post production techniques and skills for compositing and retouching, how to write about your work, ways to pitch to galleries and agents, and how to print your pieces so they look like art.

This workshop will take you on location with Brooke as she creates a photo series from scratch. She’ll walk through every step for her photo shoots including set design and location scouting, she’ll cover techniques in the field for capturing your artistic vision, post-production and compositing techniques, as well as printing and framing essentials.

She’ll round out this experience by discussing all of the details that will help make your career a success like licensing, commissions, artists statements, social media plans, gallery prep, and pricing your work.

This comprehensive course is a powerful look into the world of fine art photography led by one of the world’s most talented photographers, Brooke Shaden. Included with purchase is exclusive access to bonus material that gives exercises and downloads for all of the lessons.

Lessons

1Class Introduction
2Storytelling & Ideas
3Universal Symbols in Stories
4Create Interactive Characters
5The Story is in The Details
6Giving Your Audience Feelings
7Guided Daydream Exercise
8Elements of Imagery
9The Death Scenario
10Associations with Objects
11Three Writing Exercises
12Connection Through Art
13Break Through Imposter Syndrome
14Layering Inspiration
15Creating an Original Narrative
16Analyze an Image
17Translate Emotion into Images
18Finding Parts in Images
19Finding Your Target Audience
20Where Do You Want Your Images to Live?
21Create a Series That Targets Your Audience
22Formatting Your Work
23Additional Materials to Attract Clients
24Which Social Media Platforms Will be Useful?
25How to Make Money from Your Target Audience
26Circle of Focus
27The Pillars of Branding
28Planning Your Photoshoot
29Choose Every Element for The Series
30Write a Descriptive Paragraph
31Sketch Your Ideas
32Choose Your Gear
33How to Utilize Costumes, Props & Locations
34What Tells a Story in a Series?
35Set Design Overview
36Color Theory
37Lighting for the Scene
38Props, Wardrobe & Time Period for Set Design
39Locations
40Subject Within the Scene
41Set Design Arrangement
42Fine Art Compositing
43Plan The Composite Before Shooting
44Checklist for Composite Shooting
45Analyze Composite Mistakes
46Shoot: Black Backdrop for White Clothing
47Shoot: Black Backdrop for Color Clothing
48Shoot: Black Backdrop for Accessories
49Shoot: Miniature Scene
50Editing Workflow Overview
51Add Fabric to Make a Big Dress
52Edit Details of Images
53Add Smoke & Texture
54Blend Multiple Images Into One Composite
55Put Subject Into a Miniature Scenario
56Location Scouting & Test Photoshoot
57Self Portrait Test Shoots
58Shoot for Edit
59Shoot Extra Stock Images
60Practice the Shoot
61Introduction to Shooting Photo Series
62Shoot: Vine Image
63Shoot: Sand Image
64Shoot: End Table Image
65Shoot: Bed Image
66Shoot: Wall Paper Image
67Shoot: Chair Image
68Shoot: Mirror Image
69Shoot: Moss Image
70Shoot: Tree Image
71Shoot: Fish Tank Image
72Shoot: Feather Image
73View Photo Series for Cohesion & Advanced Compositing
74Edit Multiple Images to Show Cohesion
75Edit Images with Advanced Compositing
76Decide How to Start the Composite
77Organize Final Images
78Choosing Images for Your Portfolio
79Order the Images in Your Portfolio
80Why do Some Images Sell More Than Others?
81Analyze Student Portfolio Image Order
82Framing, Sizing, Editioning & Pricing
83Determine Sizes for Prints
84How to Choose Paper
85How to Choose Editions
86Pricing Strategies
87How to Present Your Images
88Example Pricing Exercise
89Print Examples
90Licensing, Commissions & Contracts
91How to Keep Licensing Organized
92How to Prepare Files for Licensing
93Pricing Your Licensed Images
94Contract Terms for Licensing
95Where to Sell Images
96Commission Pricing Structure
97Contract for Commissions
98Questions for a Commission Shoot
99Working with Galleries
100Benefits of Galleries
101Contracts for Galleries
102How to Find Galleries
103Choose Images to Show
104Hanging the Images
105Importance of Proofing Prints
106Interview with Soren Christensen Gallery
107Press Package Overview
108Artist Statement for Your Series
109Write Your 'About Me' Page
110Importance of Your Headshot
111Create a Leave Behind & Elevator Pitch
112Writing For Fine Art
113Define Your Writing Style
114Find Your Genre
115What Sets You Apart?
116Write to Different Audiences
117Write for Blogging
118Speak About Your Work
119Branding for Video
120Clearly Define Video Talking Points
121Types of Video Content
122Interview Practice
123Diversifying Social Media Content
124Create an Intentional Social Media Persona
125Monetize Your Social Media Presence
126Social Media Posting Plan
127Choose Networks to Use & Invest
128Presentation of Final Images
129Printing Your Series
130How to Work With a Print Lab
131Proofing Your Prints
132Bad Vs. Good Prints
133Find Confidence to Print
134Why Critique?
135Critiquing Your Own Portfolio
136Critique of Brooke's Series
137Critique of Student Series
138Yours is a Story Worth Telling